Sources

Crisafulli, C. & Paoletta, M. & Cohen, J. (2007). Musical family. Billiboard, Vol. 119 (44), pg 27-29.
Harries, D. The semi-semiotics of film. Film Criticism. Pg 39-54.
Hishak, T. (2005) American plays and musical on screen. North Carolina, McFarland & Company Inc.
Jackson, A. & Taylor, J. The Hollywood musical. New York: McGraw-Hill Book Company.
Pearlman, K. (2009). Cutting rhythms in chicago and cabaret. Cineaste, Vol. 34 (3), pg 28-39.
Robbins, B. & Myrick, R. (2000). The function of the fetish in the rocky horror picture show and Priscilla, queen of the desert. Journal of Gender Studies, Vol. 9 (3), pg 269-280.
Smith, S. (2004). Puppet power. Newsweek, Vol.144 (13), 80-82.
Stoll, G. & Glitz, M. (2005). Rent gets real. Advocate, (950), p48-56.
Sumera, L. (2009). The mask of beauty:masquerade theory and disney’s beauty and the beast. Quarterly Review of Film and Video. Vol. 26, pg 40-46.
Teachout, T. (2008). The Hollywood musical done right. Commentary, Vol.125 (2), pg 49-52.
Williams, A. The silent threat: a (re) viewing of the “sexual other” in the phantom of the opera and nosferatu. The Midwest Quarterly, pg. 90-101.
(2010). IMDB. http:www.imdb.com.